Home  |  User access   My alertsMy selection  
PARVEAUX Jean-François

Artrinet work analysis of PARVEAUX Jean-François


Classification : A360-B180-C120-C150-D110
(You can click on each code separatly
to locate it in the general classification grid.)

PARVEAUX Jean-François
PARVEAUX Jean-François

The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.

When looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist").
A360 : Representative works "Expressionist"
Outpouring of the turbulent or even violent inner world of an artist who, unlike with "Abstract Expressionism", does it with the many possible ways of depicting the Figure (from the original Expressionism to COBRA, from "Violent painting" to the "Néo-fauves", ...). Mixed
The expression mixes techniques of Action painting with the use of matter (Emil Nolde, Asger Jorn, John Christoforou, O.Pelayo, Gérard Garouste, Georg Baselitz, Francesco Clemente, ...).

How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").
B180 : Materiality
in painting, but also with all other materials with the following possibilities: mixed materiality: structured / unstructured
when a work is "structured" in its "lack of structure", and vice versa (repetition of forms, signs, matter ... Viallat, Toroni, Degottex, Hantaï,...).

With what body:mind ratio does the artist enter into his work?
Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...).
C120 : towards the intellectual side/ the essence of things inward looking work chiefly oriented towards: projective
dreams, poetry, lyricism, psychedelic experience … to "project" an inner world (Henri Michaux, Wols, ...).
C150 : between
Where the material and corporal necessities of existence confront the multiple questions about its "essence" (from Munch's "Scream" to the Installations of Thomas Hirschhorn, from Karrel Appel's "Scream" to Francis Bacon, ...).

Does the artist have the deliberate intention to convey a message of any sort through his work?
(classified from the most "mystical" to the most "worldly").
D110 : via what is meant with various spiritual or less marked religious influences
(from Barnett Newman to Mark Rothko, from Roman Opalka to Arnulf Rainer, ...).

PARVEAUX Jean-François