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MESSAGER Philippe

Artrinet work analysis of MESSAGER Philippe


            

Classification : A430-A455-B230-C140-C160-D115-D180
(You can click on each code separatly
to locate it in the general classification grid.)

MESSAGER Philippe
MESSAGER Philippe
www.messagerphilippe.com

The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.


A axis : FORMALISM
When looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist").
A430 : Neo Figurative "Free figures' and "Neo Comic strip"
A more "sophisticated" style than Naive Art and Art Brut, etc. combining art with popular imagery, advertising, comic strip, 80s rock cullture (Robert Combas, Hervé Di Rosa, Keith Harring, …) but also with the "Manga" style from the 90s or machine clip art from the 21st century.
A455 : Neo Figurative More or less allegorical representations ("Trans Avant Garde", "Bad Painting", ...)
J.G. Dokoupil, Julian Schnabel, David Salle, Reiner Fetting, Kenny Scharf, Sandro Chia, Francesco Clemente, Enzo Cucchi, Mimo Paladino, ...


B axis : MATERIALITY
How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").
B230 : Materiality
in painting, but also with all other materials with the following possibilities: Structured structured combinations
any combinations of lines, colours, matter or volumes of a more structured type (Michail Heizer, Anish Kapoor, Miguel Barceló, ...).


C axis : INVOLVEMENT BODY/ MIND
With what body:mind ratio does the artist enter into his work?
Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...).
C140 : towards the intellectual side/ the essence of things inward looking work chiefly oriented towards: fantasmagoric
fantasies of all types, be they sexual, social, religious or any other type, so long as there is formal mastery (from Georgia O'Keeffe to Annette Messager, through Clovis Trouille, ...).
C160 : tending towards the corporeal / the senses via expression with "humanity" (the passage from Life to Death)
- in a literal manner (John de Andrea, Duane Hanson, Itsvan Sandorfi, ...)
- or a symbolic manner (James Ensor, G. Rouault, F. Gruber, Zoran Music, Rebeca Stevenson, Jan Vercruysse, ...), ...


D axis : COMMUNICATION
Does the artist have the deliberate intention to convey a message of any sort through his work?
(classified from the most "mystical" to the most "worldly").
D115 : via what is meant in various narrations or symbolisms whatever they may be
allegorical, metaphorical (J. Beuys' "materials", ...), analytical (Mario Merz's "Fibonacci series", or those of Robert Filliou, ...), critical (from Henri Cueco to Hans Haacke or Guillaume Bijl, ...).
D180 : tending towards the worldly by essentialised images, illustrations, caricatures, posters, reportages, ...
(J. Heartfield, R. Haussmann, G. Grosz, F. Masereel, E. Pignon Ernest, ...).

MESSAGER Philippe
www.messagerphilippe.com